{"id":695,"date":"2020-04-16T20:37:22","date_gmt":"2020-04-16T20:37:22","guid":{"rendered":"https:\/\/jenniferhoyttidwell.com\/?page_id=695"},"modified":"2020-05-08T16:03:37","modified_gmt":"2020-05-08T16:03:37","slug":"the-near-misses","status":"publish","type":"page","link":"https:\/\/jenniferhoyttidwell.com\/?page_id=695","title":{"rendered":"The Near Misses (2019-current)"},"content":{"rendered":"\nngg_shortcode_0_placeholder\n\n\n\n<p style=\"font-size:11px\"><em>Photos by Elizabeth Swider. Performers: Kara McLane Burke, Paige Naylor, Katie Schetlick, Cathy Monnes<\/em><\/p>\n\n\n\n<p>Created in 2019, <em><a href=\"http:\/\/nearmissesband.com\">The Near Misses<\/a><\/em> is an experimental electro-pop opera in the form of an all-female band also called &#8220;The Near Misses.&#8221; This highly collaborative multimedia show contains an original song cycle, sound collages, choreography, and video projections centered around true near-death stories. We\u2019ve curated these diverse survival stories to represent a range of scenarios and power dynamics from the personal to the global.<\/p>\n\n\n\n<p>The performers evoke through music, movement, video projections, and sound recordings true accounts of peril and intersecting trauma. They embody the survivors\u2019 own interpretations of what is beautiful and innately dysfunctional about humanity, and examine the role of personal and collective memory. As we\u2019ve gathered these trauma stories, we see what they share in common are exquisite recollections of beauty, dark humor, and courage, as well as gaps in memory, lasting changes in perspective, and reconfigured identities.<\/p>\n\n\n\n<p>The stories The Near Misses are telling have been gathered from woman-identified women, mostly from our community. Though the stories are personal and specific to their circumstances, we have chosen them because they are archetypal. We are devoted to amplifying voices and stories that are particular to women in some cases.<\/p>\n\n\n\n<p><strong>Producers<\/strong><br>Jennifer Hoyt Tidwell<br>Paige Naylor<\/p>\n\n\n\n<p><strong>Co-Producers<\/strong><br>Mark &amp; Doniphan Howland, In Memory of Emily Jane Howland<br>Ludwig Kuttner<br>Anonymous<br>\u200bAnonymous<\/p>\n\n\n\n<p><strong>Director\/Lyricist<\/strong><br><a href=\"https:\/\/jenniferhoyttidwell.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jennifer Hoyt Tidwell<\/a><\/p>\n\n\n\n<p><strong>Composer\/Performer<\/strong><br><a href=\"http:\/\/paigenaylor.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Paige Naylor<\/a><\/p>\n\n\n\n<p><strong>Performers<\/strong><br>Catherine Monnes<br>Kara McLane Burke<br>Katie Schetlick<br>Paige Naylor<\/p>\n\n\n\n<p><strong>Guest Performer<\/strong><br>Nate Rappole<\/p>\n\n\n\n<p><strong>Projections<\/strong><br>Mona Kasra<\/p>\n\n\n\n<p><strong>Lighting &amp; Set Design\/Build<\/strong><br>Chip Staples<\/p>\n\n\n\n<p><strong>Masks<\/strong><br><a href=\"https:\/\/jeremysethtaylor.tumblr.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jeremy Taylor<\/a>&nbsp;&amp;&nbsp;<a href=\"https:\/\/www.allysonmellbergtaylor.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Allyson Mellberg Taylor<\/a><\/p>\n\n\n\n<p><strong>Tech Director &amp; Operation<\/strong><br>Opal Lechmanski<\/p>\n\n\n\n<p><strong>Stage Management<\/strong><br>Liz Howard<\/p>\n\n\n\n<p><strong>Graphic Design<\/strong><br>Jeremy Taylor<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photos by Elizabeth Swider. Performers: Kara McLane Burke, Paige Naylor, Katie Schetlick, Cathy Monnes Created in 2019, The Near Misses is an experimental electro-pop opera in the form of an all-female band also called &#8220;The Near Misses.&#8221; This highly collaborative multimedia show contains an original song cycle, sound collages, choreography, and video projections centered around [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-695","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/pages\/695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=695"}],"version-history":[{"count":9,"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/pages\/695\/revisions"}],"predecessor-version":[{"id":713,"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/pages\/695\/revisions\/713"}],"up":[{"embeddable":true,"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/jenniferhoyttidwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}